Rant-Rave-Whatever: Rockstar is back.

Oh, to quote Tommy Lee, "Hell Yeah". It's back. And I kind of wonder about it, you know. Here is an earlier commentary (not long after the show started) from a secret place online where I sometimes share things like this:

Other things: some of you may remember my obsession with Rockstar:INXS last year. Because I loved that show so much I have been following Rockstar:Supernova, and while I can't stop watching it, I am cming to a few conclusions:

• Tommy Lee is a dick
• The talent is not as good generally, but then it doesn't have to be: Supernova aren't going to be as musical as INXS are
• Supernova as a band are EXTREMELY likely to fail. Tommy Lee generally gives the women competitors comments on their attire rather than their ability ("baby, can I marry you?"); Gilby Clarke (of GnR fame) gave one of the women a hard time for "girnding" him when he was onstage, saying that "women in music use their sexuality too much and it was tired". This is just ONE example of the band not being "pointed in the same direction".
• Dave Navarro has toned it down a whole shitload to hang with those idiots.
• Many of the contestants are there to advertise their own music careers, rather than join Supernova
• I really, really, really want one of the ones who does appear to be there to win (Dilana) not to win. She's got talen oozing out of her, she gives me goosebumps everytime I see her perform, and she's too fucking good to waste her life on a career with Tommy Lee (though she wouldn't take any shit from him).

Anyways, suffice it to say I am not loving Supernova the way I loved INXS, but I can't tear my eyes away.

So, yeah, that was my view about three weeks ago. And then there was this view of the whole thing:

Yes, you have it right, that is Tommy Lee and Dave Navarro engaged in a little very, very public tongue-wrestling. And yes, Dave does look rather as though he is enjoying it. Tommy Lee just looks like he is doing exactly what I would expect -- posing for the camera to improve his own reputation, and garner some "rockstar" style publicity.

Anyways, we are now down to the last seven "rockers", and it would appear that Zayra, who was sent home this week has successfully (and fairly cynically, I would say) managed to sign a record deal already -- I would say to sing in Spanish. Because you see, that is one of the things I see as being a problem this time around -- as mentioned above, many of the people who are in this series are there purely to launch their own careers.

The other thing that happened this week is that we heard the first ever Supernova (well okay, they may still have to buy the name off a punk band) song. Cunning move, on their part, because for the world to buy in to Supernova, the world is going to want to know what Supernova sound like (particularly since Tommy Lee said in the first episode "we are not a metal band"). So, of course, there was the controversy of who would sing for them -- in their gregaroiusness, and to prove that a woman really can front Supernova, they (and the crowd) asked Dilana to sing during their inaugural performance -- foretelling things to come? Highly likely, I think. So yes, provided a woman is prepared to tolerate the presence of half naked dancing girls, she can front Supernova. And to be fair, the music was much better -- and more musical -- than I expected it would be.

So here is what really irks me about this season of Rockstar -- it isn't the mediocre level of talent accepted in some of the rockers, and it isn't even that stupid sexbot-barbie Storm Large -- it's the chauvinism.

• Gilby had a go at Jill Gioia for grinding him, but when Supernova first performed, they had half-naked dancing girls on stage. There are two messages here -- one is that if a woman wants to front Supernova, she better be prepared to deal with this crap (okay, we knew that anyway, but nothing like making it perfectly clear, eh?). Dilana did deal with it well, actually -- she is such a commanding presence the girls were a mere distraction. The second, and more disturbing message, however, is that it is not okay for a woman rocker to use her own sexuality to sell the message, but that it is quite okay for Tommy Lee to pay for the sexuality of women to sell his message.
• Dave Navarro, as much as I loved him in the first series, is spending too much time with Tommy Lee. That and his split from Carmen Electra seemto be spurring on some less than pleasant tendencies, including asking the crowd to "give it up for the string section, particularly the blonde, she's doing very well". Ummm, yeah. This is the same man who told MiG Ayesa that his beautiful rendition of 'Baby I Love Your Way' made him think "only about his wife".
• Gilby Clarke and Jason Newstead, who seem to be voices of reason, actually seemed appreciative of the dancing girls (particularly Jason).
• Storm Large is playing on her sexuality -- as of the first episode, when she said she will use it for all it is worth, and despite the fact she can't sing for ass; in fact she has done a version of 'Survive' by Gloria Gaynor that Tommy Lee referred to as "sauteed in wrong sauce"; she has not yet seen the bottom three (though Magni, who is excellent, and a real contender for the top spot, has). It would seem the fans are following Tommy's lead -- but god forbid she should use her own sexuality too much, hm? Gilby might have a go at her.
• Let us not forget that the whole outfit is being run by a man who pleaded no contest to beating his wife, and is a serial adulterer. Do we think he may have just a little problem with respect for women (though animals are another issue)?
  

It seems to me like they are trying to alienate any thinking female (and no small chunk of the thinking male) fans right from the outset. Unless something gives in a pretty huge way, Supernova are never going to be anything more than a guilty pleasure for me -- I sure won't buy anything related to them, because I can't support that. I know some of you will disagree with me and say that politics shouldn't have anything to do with art, but I am a hopeless idealist, and if I don't buy Eminem because he is a chauvinist little shit, I sure as hell am not going to buy anything that will make this lot any more money than they already have -- unless I think there is something to be gained for the lead singer, and even then I will feel squeamish. Probably I shouldn't even watch the TV show, but I actually cannot tear my eyes away.

So I guess the point is I'm sad. Something that was sweet and good an populated by pleasant, talented, genuine people the first time around has been populated in no small part by sleazeballs and cynical self-promoters the second. And it has rubbed off on Dave, who, while I know he is a bit of a loose unit, I could respect the first time around. But hey, I'm just a fan, and it isn't up to me. I hope Dilana does win, though, because she might just kick Tommy Lee in the balls and thereby mean that Supernova was actually about the music.

Rave: Rockstar:INXS

I feel the need to write something (anything) in support of Rockstar:INXS. I'm not sure if it has anything to do with the very hot Dave Navarro (and my other little obsession, Brian Molko, thinks he's hot too), but I am totally, utterly hooked on the show.


Now, I will admit to being a bit of a reality TV junkie; I am a fan of The Apprentice and The Amazing Race, but normally anything to do with music makes me want to deafen myself with the nearest skewer. NZ Idol, in particular, is the lowest kind of dross that approves of barely disguised hiphop and painful sounding vocal gymnastics while reviling a good rock performance whereever it may be found.

I hadn't planned on watching Rockstar. I had actively planned on not watching it, in fact. But, some friend of mine had their second baby the day it started showing here. I was babysitting their first, and waiting for the Dad to get home from the hospital. There was a TV guide on the table, and I foolishly read the article about the show, decided Dave Navarro was compelling (but not hot at that stage), and foolishly didn't change channel when the show came on. Now I am completely and irrevocably hooked. Even though the show is three nights a week, even though NZ for some reason is getting the show two weeks behind the civilised world and therefore can't vote, even though some of the so-called rockers irritate the snot out of me. I live for the nights it is on, and spend the other four nights a week wishing it was on. I've never felt this way about a TV show before.

Why do I like it? I love the music, and I love the fact that it is not butchered (generally speaking) by the rockers -- they are true professionals, not Joe-Schmo off the street. Dave Navarro is hot. The little guy from INXS who plays the bass is too cute for words. The show does not focus on the backbiting jealousies of the individual rockers (in fact, as far as I can tell apart from JD pissing nearly everyone off, there aren't any), but rather on their development as stars. And there are some genuinely likeable people on it (Mig Ayesa, if you're reading this, I am talking about you).


None of that, however, makes my absolute love of the show defensible from any sane person's standpoint. I've thought a lot about the show and why I don't feel like it is a sellout for INXS, and why I find it in any way bearable. I think it is a great thing for INXS to do. It has been eight years since Michael Hutchence died, and in that time INXS has sung with a number of people and not found a new lead singer.

This is not a show they have done right off the bat -- it has been in consideration for three years leading up to production. INXS wanted to find the very best person for the job, and they wanted to hear who the public thought was that person too. I don't see how they can do that without a TV show. And yet, INXS have maintained the ultimate creative control -- they make the decisions, not the public. The rockers are also very much in training to be rock stars, each week they do something that will be useful for them in any future rock career, and for the person who is the most right for INXS mean that INXS doesn't have to teach them all that stuff. They are not looking for an idol-type singer, they're looking for someone who can play an instrument and write songs, who can really contribute. And I think they are looking for someone to help move them forward; they responded well to a rocker who decided to take things in their own direction, and then explained that they could not and would not subvert their own personality to INXS.

INXS is not going to be the same animal it was when Michael Hutchence was the lead singer, that much is certain. But what is also rapidly becoming clear, is that INXS accept that, and just want the best new person for the job -- and it is also certain that they will be getting someone very talented indeed. In fact, unless there are weird contractual obligations, I have no doubt we will be hearing from most of the final six or seven regardless of who wins.

In the end, this is the only way INXS could attract talented people and get public input. They are genuinely seeking a new lead singer with a personality. They have maintained creative control over the final choice -- and have exercised it in getting rid of two people in a single show when they felt neither was good enough. And let's face it -- this isn't reality TV; there will be no sequel, and the prize is not a million dollars and go back to your normal life -- the prize is a job, and respect that the person who gets the job will have to earn. Reality TV always makes things way too easy. This is real TV. And I love it.

Rant: Why 'House' is a bad show, and doctors have bad attitudes (even if they save your life)

I have a chronic illness. What's more, it's not a trendy chronic illness like cystic fibrosis or MS, it's not pretty... in fact, it is largely an unspeakable disease. People don't like talking about the symptoms, or the diagnostic procedures (one of my friends, a so-called medical professional, has said "eeeeeeuuuuuwwwww" about one of the procedures I have had to have, despite the fact he invades women's private parts everyday, because "you get a better picture that way". Um... Yeah). And this disease occurs in an area of the body that is hard to see or indeed visualize in any way. Because the disease is not trendy(and that is another rant all in and of itself), there is not a whole lot of research funding in it, so the unpleasant diagnostic procedures are still used.

What, you may ask, does this have to do with 'House'? Well, the lead character, the eponymous House, epitomizes all that is wrong with the medical profession. He is willing to treat without adequately diagnosing, and he is willing to subject patients to unpleasant tests on a hunch or a whim. However, the thing that is the most wrong about House is that he gives nary a damn for the patient; all he is concerned with is the diseases the patients carry. It is under the illusion that you can treat the disease without taking the patient's humanity into the equation that can allow him to make the callous and often ego-driven decisions portrayed on the show. The real danger of this is not that the show will inspire medical professionals to behave like House (many of them already do), but that the show will lead patients to believe that this is an acceptable way for doctors to treat them.

It is this disconnection of the patient from decision-making capabilities, feelings, or dignity that allows medical professionals to do things like order an enterolcysis (an xray where a tube is passed via the patient's nose into their duodenum while thy are still awake, and their already-damaged bowel is filled to maximum with contrast -- all this without sedation or pain relief) or do a transvaginal scan (saying objection to this is "sentimental") in the name of getting "better pictures". Is it worth entirely sacrificing a patient's comfort, dignity, modesty and privacy so a miniscule amount of further understanding may be gained about their condition? Is it ethical to refuse to do things any other way? Is pain (and it's deliberate infliction by medical professionals) a legitimate diagnostic tool?

As a professional patient I say no to all the questions I have just asked. For non-surgical procedures, I believe no doctor or medical professional should be allowed to perform a diagnostic procedure without first undergoing it. If they do not have the requisite anatomy, they should not perform it at all (what is with all these weirdo male gynecologists? I mean, how does that ever seem like a good idea?). I believe that for many patients, particularly the ones who are long term patients and need to make decisions about their health every day, informed consent includes offering a selection of different tests and explaining the risks and benefits of each (we, in particular, struggle to maintain dignity and identity as patients). I believe that uncomfortable tests are not legitimated by their lesser cost (than tests equally as accurate, but more expensive).

I understand where the doctors and medical professionals are coming from. To think of every patient as an individual suffering from something unpleasant would be mind-bogglingly difficult, and would result in burnt out professionals very, very quickly. However, treating each patient as a being with dignity, pain and feelings should be considered part of the job. It can be hard when dealing with uneducated patients to explain their options, and it may even be more humane not to explain all the options in every case as decision making can be agonizing for those who are not well informed prior to the appointment (and to educate everyone prior to an appointment would be prohibitively costly). However, medical professionals should be charged with the responsibility of making humane decisions, and in a case where a patient clearly knows what they are dealing with, including them in the decision making process.

Most of all, I believe everyone, doctors, nurses, diagnostic professionals, other healthcare professionals, and patients alike have a responsibility to ensure that 'House' is not what we expect of a medical professional, nor even acceptable.

Rave: "Jamie's School Dinners" music programmer

For the first time tonight I watched a show called Jamie's School Dinners. It's about Jamie Oliver moving into schools in the UK and trying to serve children one nutritious meal per day through school cafeterias. Disturbingly, many of the "dinner ladies" he works with have no training, cannot even cook pasta, and appear not to like to eat vegies themselves. Under the circumstances is it any wonder that an increasing number school-age children are seeing dietitians? Scary stuff.

Anyways, good on Jamie for trying to change things, though had he asked me I could have given him a few pointers on how to make his changes more palatable (in more ways than one) to his wee charges -- for example, the healthy burger -- vegie pattie with wholemeal bun and lots of salad. I know this must have lots of fibre in it (one of the major problems the dietitian interviewed was seeing was kids with malfunctioning colons due to lack of fibre) because it would absolutely slay me. The kids, however, would still see it as a burger. New foods could be introduced slowly.

The real purpose of this post though, is to praise to the sky the music programmers for the show, who have bypassed dross like Britney, Eminem, and Coldplay and picked up in this episode alone Mr. Brightside by The Killers and Twenty Years by Placebo (though it would take a diehard fan like myself to notice that last one -- it was instrumental snippets only. But then I guess the show was for a general audience, and Placebo, generally speaking, are not).